Documenting the history of art in Tijuana, especially performance, and remembering its history by telling it to each other.
How to show a work from 1994 in present times, site-specificity, becoming a curator because no one else would curate works from your community.
About the challenges to show works in glass-enclosed buildings, considering proportions, adapting exhibitions to every space, and social engagement in architecture.
We are welcoming more works of fiction than in our last reading list, and still many writings that are good companions for those who dream of the world as a fairer place.
On working together on Gudskul and documenta fifteen, sustainability for socially engaged practices, and the skills you need to become a professional time-waster.