Humans and subhumans worth, radical change, and solidarity.
Establishing long-term relationships with artists, mixing synergies, and working holistically.
Public art, Dominican diaspora, and the freedom fighting Art of the ’60s.
Unearthing the gems that history has mistakenly written out.
Time, sensory experiences, and film, when intuition and research overlap.
Curating as a nomadic practice and how to find an ethos.
Inflatable public art, visual discussions, and realizing artists stories.
Public art, books, and fellowship, as bridges between Hong Kong and Taiwan.
Creating ways of engaging, and a love for language.