Documenting the history of art in Tijuana, especially performance, and remembering its history by telling it to each other.
How to show a work from 1994 in present times, site-specificity, becoming a curator because no one else would curate works from your community.
About the challenges to show works in glass-enclosed buildings, considering proportions, adapting exhibitions to every space, and social engagement in architecture.
Thinking collectively and creating things.
Considering the lineage of Chinese Art, partners in life and work, breaking down hierarchies and authorship.
Heritage, TV, and public space—Fostering a network of close-knit art communities.
Keeping an archive alive and thriving through publications, performance, and transnational collaborations.
A multifaceted curatorial practice as a direct extension of writing and research.
Walking the jungle in one’s mind, personal cosmology, and the ecology of interconnectedness.
Between Paris and Tunis, art making, writing, curation, films selection, and bathing in the depth of images.
Balancing Art making and curating in a way that nourishes both.
From questions of mental health and the environment in the context of the arts, to art market reports, matters of museum histories, and talks between creatives from different industries—a summer list of podcasts for your arty ears.
